Introduction The harmonic minor is one of the three main source scales in music. This is a seven note minor scale with a b3, a b6 and a natural 7th. The related modes group from this scale offer quite a few interesting textures, sometimes overlooked by many jazz beginners. Here's a taste of what this group... Continue Reading →
The Universal Encyclopedia of Scales by mDecks Music
The Universal Encyclopedia of Scales is a fully interactive PDF containing all 2048 scales in music, organized over the circle of fifths, with 2600+ pages of information. The encyclopedia includes chapters on scale theory, several master indexes by mode count and note count, source scales, symmetrical scales, and hexatonic bi-triadic scales. Each scale has its... Continue Reading →
Playing Scales vs. Playing Out of Scales
I've been asked many times "Why do I need to learn and practice scales?" or "Why do I need to understand chords-scales and tonal harmony?" Some other people complain about the chord-scale theory, saying that they don't want to play scales, meaning they wish to play in the jazz vocabulary, licks, motives, playing rhythmically or... Continue Reading →
Lush Life – Full Harmonic Analysis
Here's a song by Billy Strayhorn that I've always loved and never fully analyzed until writing The Jazz Standards Progressions Book. I've been fascinated by Duke Ellington and Billy Strayhorn compositions since the first time I heard an Ellington album, about thirty years ago. Since then I greatly enjoyed their rich harmonies, rhythmic vocabulary and... Continue Reading →
Can We Have a IVmaj7 Chord With an Ionian Chord-Scale?
Here's a musical concept nobody taught me at school. While analyzing 1000+ jazz tunes for The Jazz Standards Progressions Book, I noticed a great number of songs in major keys tonicize the IV degree at the beginning of the bridge. It's usually preceded by the V/IV, landing on the IV at the beginning of the... Continue Reading →
A New Symbol in Harmonic Analysis
In the process of writing The Jazz Standards Progressions Book Series I realized the need to express a very common harmonic event with a new symbol. So far we had solid and dotted arrows and brackets to express II-V relationships and their resolutions. However there isn't any symbol to show a Major 7th chord that... Continue Reading →
100 Essential Jazz Standards
Since the release of The Jazz Standards Progressions Book where I analyzed 1000+ songs I have been asked many times for a list of essential jazz standards. I do not want to promote uniformity in repertoire nor do I believe in programatic lists. Jazz is a personal intuitive journey. What I do believe in is finding... Continue Reading →