https://youtu.be/GysDOQGohHY We wrote an easy piano arrangement of Imagine by John Lennon using some of the essential Reharmonization Techniques we usually talk on our mDecks Music Youtube Channel Things like: Modal Interchange (a.k.a. Borrowing from minor) • Secondary Dominants • Considering the Target and others. You can gain access to the sheet music by joining... Continue Reading →
How to Play Rootless Voicings for Jazz Piano & Guitar
Introduction As a piano player you have surely come across chord symbols in jazz standards lead sheets. These chords are embedded with a huge amount of information and trying to interpret the actual meaning of these chords could sometimes be overwhelming. How to Play Rootless Voicings? Start by playing the regular chord as a 7th... Continue Reading →
We wish you a merry Christmas Jazz Version Tutorial using Mapping Tonal Harmony Pro
If you want to adapt popular music to jazz, the best approach is to think of the harmonic functions (rather than just the chords) and then use techniques of tonal harmony. In the following video we show how to turn a very basic piano version of "We Wish You a Merry Christmas" into a jazz... Continue Reading →
Upper Structures over complete Jazz Standards Progressions
There are many ways to expand and develop a chord-voicings vocabulary. A standard approach is to stack simple structures (triads, quartals, dyads) on top of other simple ones, thus creating a richer color palette for your voicings. These structures are usually called Upper Structures. In the Upper Structures over complete Jazz Standards Progressions book collection... Continue Reading →
How to play chords using Upper Structure Triads. “An original approach by mDecks Music”
For a piano player, knowing how to voice chords is an essential skill, not only for comping (accompanying or laying the chord progression for others player to improvise over), but also to use those voicings as an improvisational aid. All piano players get many melodic ideas or lines from their voicings. Other instrumentalists also take... Continue Reading →
Example 2: Audio-Sync with multiple repetitions of the form
This is example 2 on how to sync an audio track to a progression in Mapping Tonal Harmony Pro. In case you haven't read the previous post, here's a link: How to sync progressions to audio tracks in Mapping Tonal Harmony Pro Multiple repetitions of the form Here's this post in video format: https://www.youtube.com/watch?v=JIv51rVMylA Now... Continue Reading →
Playing Scales vs. Playing Out of Scales
I've been asked many times "Why do I need to learn and practice scales?" or "Why do I need to understand chords-scales and tonal harmony?" Some other people complain about the chord-scale theory, saying that they don't want to play scales, meaning they wish to play in the jazz vocabulary, licks, motives, playing rhythmically or... Continue Reading →