Click here for version 9 for iOS What's new in version 9 for macOS The Analyzer Add-on An incredible and unprecedented tool, not found in any app on the market today. The Analyzer is able to solve a complete harmonic analysis of any chord progression written in an ordinary text editor. It finds key centers,... Continue Reading →
Introduction The harmonic minor is one of the three main source scales in music. This is a seven note minor scale with a b3, a b6 and a natural 7th. The related modes group from this scale offer quite a few interesting textures, sometimes overlooked by many jazz beginners. Here's a taste of what this group... Continue Reading →
There are many ways to expand and develop a chord-voicings vocabulary. A standard approach is to stack simple structures (triads, quartals, dyads) on top of other simple ones, thus creating a richer color palette for your voicings. These structures are usually called Upper Structures. In the Upper Structures over complete Jazz Standards Progressions book collection... Continue Reading →
Starting on version 7.8.8, Mapping Tonal Harmony Pro macOS now offers two incredible and unprecedented add-ons: Upper Structures & Target Notes These are two powerful features to study and practice tonal harmony. View Mapping Tonal Harmony’s webpage The new add-ones are also available in Mapping Tonal Harmony Pro for iOS (iPhone & iPad) View it... Continue Reading →
I've been asked many times "Why do I need to learn and practice scales?" or "Why do I need to understand chords-scales and tonal harmony?" Some other people complain about the chord-scale theory, saying that they don't want to play scales, meaning they wish to play in the jazz vocabulary, licks, motives, playing rhythmically or... Continue Reading →
Here's a song by Billy Strayhorn that I've always loved and never fully analyzed until writing The Jazz Standards Progressions Book. I've been fascinated by Duke Ellington and Billy Strayhorn compositions since the first time I heard an Ellington album, about thirty years ago. Since then I greatly enjoyed their rich harmonies, rhythmic vocabulary and... Continue Reading →
Here's a musical concept nobody taught me at school. While analyzing 1000+ jazz tunes for The Jazz Standards Progressions Book, I noticed a great number of songs in major keys tonicize the IV degree at the beginning of the bridge. It's usually preceded by the V/IV, landing on the IV at the beginning of the... Continue Reading →
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