Two amazing Mapping Tonal Harmony Pro ADD-ONS

Starting on version 7.8.8, Mapping Tonal Harmony Pro macOS now offers two incredible and unprecedented add-ons: Upper Structures  & Target Notes     These are two powerful features to study and practice tonal harmony. View Mapping Tonal Harmony’s webpage The new add-ones are also available in Mapping Tonal Harmony Pro for iOS (iPhone & iPad) View it... Continue Reading →

How to play Piano Voicings using Upper Structures. Introduction

Here's the complete lesson in video format https://www.youtube.com/watch?v=J8NmmG08M-k   In this series we are going to talk about Piano Voicings, specifically voicings that use upper structures. It’s said that the average piano player spends 2 to 3 hours daily, searching for cool voicings over different chords and harmonic progressions. Finding new voicings, cataloguing, memorizing and... Continue Reading →

Lush Life – Full Harmonic Analysis

Here's a song by Billy Strayhorn that I've always loved and never fully analyzed until writing The Jazz Standards Progressions Book. I've been fascinated by Duke Ellington and Billy Strayhorn compositions since the first time I heard an Ellington album, about thirty years ago. Since then I greatly enjoyed their rich harmonies, rhythmic vocabulary and... Continue Reading →

A New Symbol in Harmonic Analysis

In the process of writing The Jazz Standards Progressions Book Series I realized the need to express a very common harmonic event with a new symbol. So far we had solid and dotted arrows and brackets to express II-V relationships and their resolutions. However there isn't any symbol to show a Major 7th chord that... Continue Reading →

100 Essential Jazz Standards

Since the release of The Jazz Standards Progressions Book where I analyzed 1000+ songs I have been asked many times for a list of essential jazz standards. I do not want to promote uniformity in repertoire nor do I believe in programatic lists. Jazz is a personal intuitive journey. What I do believe in is finding... Continue Reading →

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