I've been asked many times "Why do I need to learn and practice scales?" or "Why do I need to understand chords-scales and tonal harmony?" Some other people complain about the chord-scale theory, saying that they don't want to play scales, meaning they wish to play in the jazz vocabulary, licks, motives, playing rhythmically or... Continue Reading →
Here's a song by Billy Strayhorn that I've always loved and never fully analyzed until writing The Jazz Standards Progressions Book. I've been fascinated by Duke Ellington and Billy Strayhorn compositions since the first time I heard an Ellington album, about thirty years ago. Since then I greatly enjoyed their rich harmonies, rhythmic vocabulary and... Continue Reading →
Here's a musical concept nobody taught me at school. While analyzing 1000+ jazz tunes for The Jazz Standards Progressions Book, I noticed a great number of songs in major keys tonicize the IV degree at the beginning of the bridge. It's usually preceded by the V/IV, landing on the IV at the beginning of the... Continue Reading →
Since the release of The Jazz Standards Progressions Book where I analyzed 1000+ songs I have been asked many times for a list of essential jazz standards. I do not want to promote uniformity in repertoire nor do I believe in programatic lists. Jazz is a personal intuitive journey. What I do believe in is finding... Continue Reading →
Let's say you want to find all scales that contain a major third, followed by a half step, follow by a minor third (M3 H m3) Use the search button in Tessitura Pro and you will get all scales that contain those intervals in that order These are the named structures found You can include all... Continue Reading →
There are 4 ways you can represent a scale's intervalic formula: Degrees Chord-Tones and Tensions Roman Numerals Melodic Intervals Degrees Here's the major scale (Ionian) as degrees. 1 2 3 4 5 6 7 (all degrees al major) Chord-Tones and Tensions The major scale as chord tones (1 3 5 7) and tensions (9 11 13)... Continue Reading →
Almost every musician knows how to use the circle of fifths (and what it is), but there are a few countries and music schools that teach the order of the notes in the circle going the other way. This is called the Circle of Fourths and not many musicians talk about it anymore. Here are the... Continue Reading →
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